Articles
Artist Statement: Joëlle Dubé on Chun Hua Catherine Dong's: The Warrior
Editors' Note: Truffle Fries and Trouble
Ataraxia & Placemaking: BlackMothering in the academy
Loving Coalitions: Seven Texts on Feminist Resistance
Living While Fat
(Mis)Believing Women
Feminist Resistance in Iran from 1978 to 2023
Hashtag Re-Appropriation, Voices of Reason, and Strategic Silences
Un Ego au féminin: Gender and Power in Fadhma Aïth Mansour Amrouche's Histoire de ma vie
75 Years of Nakba No More; Unbinding Janus from Identity and Consistency Paramouncy-Regimes
Letters to the Editor and Replies: Wittgenstein's Janus
Gíorge Míchel Mílían Maura and Cory W. Thorne on Their Work: Merman/ Sereno Cartonera
True Wealth
True Friend
The Role of Revolutionary Intellectuals is of Utmost Importance: Imagining Palestine
Displacing Displacement: Letter from the Editor-in-Chief
Sarindar Dhaliwal, on her painting: Curtains for Babel (2006)
Suppressed Narrator, Silenced Victim in Adina Shibli’s Minor Detail
Palestinian Zombie: Settler-Colonial Erasure and Paradigms of the Living Dead
The Gift of Drugs: Oriental Geographies and Decolonizing Space
Songs of Prescience: Canadian Musical Activism in Climate Breakdown
Moments in Continual Imperialist Colonial Capital Exploitation and Oppression
Artist’s Statement
The Ethnic Cleansing of Palestine in Israeli and Palestinian Narratives
Genius in the People
Indigenization in universities and its role in continuing settler-colonialism
Writing to Right the Wrongs: Truth, Appropriation, and Peotry on a Genocide Site
How the Heritage of Postcolonial Studies Thinks Colonialism Today
The Nakba Continues: The Palestinian Crisis from the Past to the Present
Resisting Ideological English: Agency and Valuing Against Reified Abstractions and Erasures
Dismantling the Violent Discourse of the State of Israel
Everyday Evil in Palestine: The View from Lucifer’s Hill
On the Micro-Colonial
The Death of Postcolonialism: The Founder’s Foreword
